{digging to figure things out}

 

This is part one of a series of posts I’ll be sharing over the next two weeks or so on the ideas around who we are, what makes us ourselves, and truly digging to figure things out.

I think all of us have this idea of the Ideal You. This person you’re striving to become, an image you hold in your mind as you go about your day, trying to adjust things, shift a bit here and there, sliding through what comes naturally and what is forced, in order to align yourself with what you want to be.

We all do this. Think of the advice, “Fake it ‘till you make it.” It’s something I think on, often, when caught in circumstances outside my control, when I want to wail and complain instead of doing something about it.

(Which is important. I re-learned that recently, and will write about that in another blog post.)

So I pretend I know what I’m doing. Pretend there aren’t roadblocks in my way, that everything will work out, that there’s nothing to the fear griping my heart. It makes taking risks easier, but can also block out those trickier aspects of life that need honest, heartfelt attention.

Sometimes, it can be difficult to find a balance. And often, we lose ourselves completely while we think we’re making great strides in the right direction. It’s a gradual process, a shedding of skin as we walk forward in the sunshine, trying to reach for stars that only appear at night. But I think, as we do this, we lose much more than the negatives we’re trying to walk away from. That, in taking a self-inventory, we mistake strength or ability for something too abrasive for our new Ideal Self and thus, shed it with everything else.
It is amazing that in finding ourselves, we lose ourselves as well.

My friend said to me this week, “What happened to that girl I knew in high school? You were on the ball, and even intimidated me sometimes.”

Which is a good question, and one I didn’t have an answer to.

In high school, I was sharp, witty, and sarcastic. I didn’t take shit from anyone, and I was often the loudest voice in the room. When a teacher told me I’d never get higher than a C in English class, having been absent for a month to recover from a bad fall, I told her to shut it and finished the year with a B+. I laughed and took charge and stung people with my sarcasm. Yes, I had problems, was going through my own issues, but wow, was I a spitfire.

So who was this girl, sitting at the table, shy and quiet and just taking all the shit?

And I realized that, somewhere over the past two years, I’d folded. Threw in my cards and decided to not even play the game. I was willing to take insults and yelling; I was willing to give up my voice to avoid confrontation. To be honest, I’m sick of it. Tired. Done. And that is the mistake I made. 

 

In wanting to avoid confrontation, I’d silenced myself.

 


{shifts and changes and new ideas...just what a journal is for!}

lost stars; 10"x8" mixed-media on gesso board

I've been trying new techniques, playing with new and loved materials, and grabbing new tools. It's fun -- some are things I've used before and purged from my collection when I moved on to newer, shiny-er things. Others are brand new, interesting, lab experiments in a studio done in vivid Technicolor. I used my first Shiva Oil Paintstick on the painting above, creating a creamy layer above some paint. And while having to wait 24 hours for it to dry (though I'm thinking I may start leaving things outside to dry in this 105F heat) kinda cramped my usual style, I loved going back over it with more paint, more materials, blending and discovering and smiling through the whole thing. 

I like trying new things. But this new shift feels like another step in the road created by my move, when my style shifted and flipped and took me along on the ride. 

detail3

You may recognize this as the self-portrait I used in my last video. I decided to keep going, working over it and then re-drawing it with a Stablo pencil (which has become a favorite, as it will write and draw over ANYTHING). This page was done entirely with a palette knife. 

detail4

I've also started playing with soft pastels again, and have found that there is a difference between the cheaper ones and more expensive ones. I started with an inexpensive set and found, as you can see above with the magenta, that they spread a lot. Which some people like. But I was looking for something a bit between that and how Caran d'Arch crayons spread when you use your finger on them. I've discovered Prismicolor NuPastels, and love them. I'll post pics tomorrow of a page with those. 

detail2

I love love trim that is more crocheted or lacey than any other. And why not paint over it? Create something entirely new? I just love how I kept going -- I didn't say, "There is trim here. No paint, please!" I simply treated it as another collaged element of the page. 

detail1

More paint. The hearts are the discards from punching shapes with my Cuddlebug for tags. Why not keep them? I'm finding I'm drawn more and more to discards, small bits, and odd, ripped shapes. For awhile, I was into using scrapbooking or patterned papers in my journal, and then painting over them. Now, I want what's left over when I've finished something else. 

self-portrait

And while the drawing may be in a style totally different (it was a blind contour from a photo), I love it. I love not only the idea that it is me, as I am, not how I would like to be, but that all the materials and ideas and application and colors are just as much a part of the portrait as the actual drawing. At first, I was unsure. Scared. Is this art? Is this good? We can often ask ourselves such things when something so drastically new comes from us, but as I learned today, you never lose what you've done before, not completely. It simply shifts and grows and takes you for a ride. 

You simply need to be willing to get on. 

{On the Comforts of Tea + True to You 2 INFO}

 

Up until about three months ago, the only tea I’d touch had to either be a. iced, or b. green. And not the green tea you get in bottles at the gas station, with honey or lemon or any other method of sweetening. I like my green tea bitter, thank you, as intended. After you’ve had ceremonial green tea, that thick, soup-like froth so vibrant, it seems unnatural and magical at the same time, regular green tea is practically tame

I’d drink some in the morning, a boost of caffeine on the harder days when my chronic fatigue decided to swoop in and keep me in bed, or in the afternoon when I needed an extra bit of energy to get work done. And since I’m allergic to the oils in coffee, I can’t drink it (except for decaf, and iced, and cold-brewed, and a very light blend -- a combination I don’t expect to find in a cafe any time soon), which severely limits what I can get a a coffee shop. I frequent them enough to need something, and lately have been adventurous when it comes to what I have the girls at the local shop ice, going mostly off their recommendations.  

Last time I was outside -- doctor’s appointment at 11 or so this morning, a short visit, adjustment, medication adjustment -- it was about 104F (40C for my international readers), and yet I’m sitting here with a hot cup of Darjeeling; milk, sugar, until it’s a warm shade of light brown. 

Realistically, my new need for tea -- and around 4pm, to be proper -- comes from the insane amount of BBC programming I’ve been watching as of late, ever-thankful for Netflix and the internet for providing me with a wide range of accents (I have discovered I adore Welsh accents, unless it’s Janette, who is adorable and wins all the awards). There are only so many times John Watson can ask, “Tea?” before a girl has to go find some herself. 

But there’s something more to tea. 

As a student of Japanese culture, I’ve been to several traditional tea ceremonies, both in Chicago and Takamatsu (Kagawa, Japan). There’s a subtle grace to the moments of the ceremony, each designed to bring you closer to the present moment, to clear your mind. It is meditation enhanced by the senses, and each tiny movement has a bigger purpose. Take, for example, the turning of the bowl. When your tea has been poured, the bowl is turned so the design faces you, a way of showing respect, of connecting, without words, for a moment in time. When you finish, the bowl is then turned back towards the practitioner, your thanks for the wonderful tea. 

And I think, in my modern, insanely-hot-but-I-have-air-conditioning world, that the act of standing and going to make tea is a deliberate decision. After hours on the computer or at the desk creating, I pull back to myself, collect the mug, the tea bag, and let it steep. I pour in the milk and watch it swirl. Spoon in some sugar and stir, the click-click of the spoon hitting the sides of the mug a delicate, breakable sound. 

The mug is warm against my hands, and I close my eyes to savor the taste -- sweet and bitter at the same time, a balance known only by my hands scooping the sugar -- reconnecting with myself and the ground, solid, beneath my feet. 

For a few minutes a day, my time is mine and nothing else matters.  

And that, my friends, is priceless. 

It seems, as I sit here, that Drake likes tea just as much as I do. Perhaps we both need a break, a shift, a subtle change in the day that says, “Hello, world. I am here. I am alive. And I am paying attention.” 

*****

You asked, and I'm answering -- click here to download a PDF with all the details about True to You 2! 

The start date is being pushed back until August 1st to allow for all the time I lost while sick! But keep in mind -- if you sign up before July 15th, you'll get it for $44! 

AND! If you haven't taken the original True to You but want to, you can now get it for $20 with the purchase of True to You 2. I'll send a refund via PayPal for the price difference. 

Drop me a line if you have any questions!

{journal girl presents....inktense pencil + weekly vlog}

The bloody video took so long to get finished, but I managed to do it! I started with a different camera, then had compatibility issues, then had to reformat and fiddle with my desktop for three days. And when all was done (after filming near sundown because I could not wait another day to film), Final Cut Pro crashed three times and I had to use iMovie '09. Which I don't know how to use very well. 

But in the end, I learned the program (and it was easy to edit in!), spent four hours on my Saturday editing, and here it is. 

So, what should I explore for next week? 

(Because of this delay, I'm going back to posting a video every Friday. I'm having too much fun!)

{shots around the studio}

{two finished journal orders waiting to be packed & shipped}

{a journal page; the fabric is a shape cut from some Amy Butler fabric I got on clearance}

{journal page worked on with one of Krista's awesome foam Prima stamps}

{the other side of the spread with collaged bits}

{piece of dyed muslin I stamped and stitched to a journal page with pearl cotton}

What is on your table today?

{the pleasure of finding things out}

DSC03646

“I don’t see that it makes any point that someone in the Swedish Academy decides that this work is noble enough to receive a prize -- I’ve already got the prize. The prize is the pleasure of finding the thing out, the kick in the discovery, the observations that other people use it -- those are the real things.”
- Richard Feynman
When I read this quote in “The Pleasure of Finding Things Out,” a collection of short writings and interviews by Richard Feynman I picked up yesterday, I felt the sentiment transcended his own thoughts on winning the Nobel Prize in Physics to really describe anyone exploring the unknown because they need to, not for fame or prizes or recognition, but because they genuinely enjoy it. That I would expect anything less from my favorite physicist is laughable and something I’m reminded of with each book of his I pick up or re-read.

Feynman worked on the Manhattan Project, came up with the theories of quantum physics and nanotechnology, taught, played practical jokes, and -- here’s the best part -- explained Einstein’s theories better than Einstein (this isn’t just a saying; Einstein actually asked him to come down and explain his theories during a lecture). He took the world of physics and created a conversation a seven-year-old girl in Chicago could understand and unlocked that wild, seeking spirit in her.

DSC03645


And I think, out of everything I’ve accomplished and will accomplish, all the paintings I create and journal pages I work on, there is nothing that can ever match with that pleasure that comes with pushing the envelope, trying something new, and figuring it out for myself.

Art has become a laboratory of discovery for me, a compulsion that rises in me each day to try something new. And my ideas usually come to me in that form. “What if I used the binder part from an old planner to make my own little 3-ring binder to journal in?” “What if I embroidered through paper?” “What if I made a cover out of canvas instead of book board?” All my ideas and projects have come as personal challenges, me sitting there and deconstructing what is and reconstructing it in my own way.

I’ve never been a quiet person. As a child -- and now, as an adult -- I pestered my mother with so many questions, other parents wondered if they could stay sane with a child as inquisitive as me. And these weren’t easy questions, but how-does-the-world-work queries that my mother sometimes didn’t know the answers to. I’ve always been like this. I want to know how things work, the history of words I hear, process and method and where I can find the answers. I read books on chemistry and physics to answer questions like, “Why is there a warning on the side of my Diet Coke?” “How can we time-travel (answer: we don’t. My favorite novel on the idea, Timeline, is based on the quantum theories of Feynman, and written by one of my favorite writers, Michael Chriton -- the perfect merging of literary talent and science)?”

DSC03647


It’s only natural, then, that these inclinations would spread to my art. And in this respect, I’m glad my background isn’t formal, art-wise. I don’t have any preconceived ideas or proper education. There are no opinions of art teachers or what is right and wrong coming at me from the pages of an art history book. And while sometimes I feel these gaps when trying to figure something out, I think I’m better for their absence because I can chart my own path and, well, find my bliss.

G out there and figure things out. Use what inspires you. Try a new tool or stamp with an empty paper towel roll (note: it looks pretty awesome!). Take a moment to pause and look at things in a new way -- deconstruct them and make them your own. Don’t be limited by what you learned in school or what the world has told you is the right way. Enjoy what you’re doing.

So the next time you’re browsing the internet or reading your favorite magazines and find yourself wishing for the popularity of your favorite artists or perhaps the talent you think you lack, think back to the words at the head of this blog post -- that there is nothing more enjoyable or blissful that finding things out, kick-starting that drive of discovery. And if you ever do begin to be noticed, going online and finding you’re inspiring others to paint or draw or discover -- that is worth more than all the magazine articles or classes or blog stats in the world.

 

{two amazing lessons on one adventurous night}

The cover for my new (next) journal is drying, and the sun’s casting a warm glow over my little area, so I thought I’d pause from picking the PVA from my fingers and finally sit down to write this post.

It’s a week late, as in the events in it happened a week ago, about 30 minutes from now, but I haven’t really been in the mood to write it until now. Forgive me if I ramble, or get deep; I’m writing this as I think, more like telling a story to a friend rather than writing a concise blog post.

Then again, I treat this blog as an open letter to a friend, or to myself, beginning with art six years ago.

There’s this thing in Phoenix called First Fridays. I heard about it pretty soon after I moved here in October, while searching for artful gatherings near me. It’s described as America’s largest self-guided art walk, with galleries and shops opening their doors to a wandering public looking for a good time and great art. There are vendors at several points along the way, and a free trolley helps you get around.

Last Thursday, I was watching Up. And you know the beginning, the part that makes you cry? It also made me realize that the way I was going, I’d have dreams painted on all my walls and never have done one of them. So I decided there and then that I was going to do First Friday. I’m usually hesitant about such things, not because I don’t like crowds or adventures, but rather know I’ll pay for a long walk and physical activity the day, or days, later. A nice little Fibromyalgia parting gift.

But I was going to do it. I had a back-up Vicodin in my pocket, and packed my purse with my journal, a handful of art prints, my wallet, and digital camera. I also packed my younger brother, K, in the car, and we drove to the Phoenix Art Museum to park and catch the trolley. I don’t really know the area, so I figured this would be the best way to go.

So we grabbed a map and stood in the crowd waiting for the East trolley. And that thing was packed as tightly as a Japanese train during rush hour (I presume; I’ve only ridden the Japanese train system during their 9pm rush hour, so the earlier ones could be lighter. Then again, I doubt that very much!). We were the first two to have to stand, and so we rode on down to Roosevelt holding onto the gold bars running above the seats that were smudged with fingerprints.
 

We didn’t really know where to get off, so I suggested the second Roosevelt stop. Why? Because it looked close to stuff. So we waited and soon were released from the trolley in a gush of human traffic, running into those collected on the corner. We were bombarded by hand-outs and fliers from all sorts of people, our hands quickly stuffed.

But it wasn’t until we began wandering down 5th Street that we really realized where we were.

A magical, awesome land.
 

I don’t really know how to describe it other than to show you photographs K took, as he lifted the camera from me sometime on the trolley (note: I wish I had the names of the artists pictured here, but since I wasn't paying attention, I didn't grab cards from all of them). Which was fine, as I was jumping after everything. There are little coffee shops (one sold coffee and crapes!) and tiny galleries where the owners sleep in the back rooms. Giant covered front lawns cluttered with mismatched picnic tables. Back lots with more art to see or bands to hear.
 


People were selling paintings and prints, jewelry and sculptures made from found objects. One woman had several hula-hoops with ribbon wrapped around them. The night was warm and all around us, conversations blended into that rich background that makes you feel more alive just through knowing there are others around you. You could close your eyes or look up at the stars and just feel the creative energy saturating your clothes, your very bones.

I quickly reconized the need to carry a water bottle, and bought one at the coffee and crepes place. K declined. And then, suddenly, we came upon a table covered in cupcakes, water bottles, and --

“Or any of this stuff!” the girl said. “We don’t take money, only trades.”

“And no cell phones,” the second one added.

K laughed. “People have offered you their cell phones?”

“Yep!”

“What’s all that?” I asked. The first girl had a flashlight pointed at a pile of seemingly unconnected junk, random bits you’d find at the bottom of your purse.

“Things people have traded us.”

“Well,” I said, “Those cupcakes look delicious.” I quickly balanced my purse on the table and began digging through all the papers and fliers we’d already collected out of wanting to avoid confrontation, looking for the pile of prints I’d shoved in ‘just in case.’ I pulled out You Can Fly and handed it to the second girl. “Here. K, do you want something?”

“That bottle of water,” he replied.

“This is so cool!” the second girl said, once her friend shined the flashlight on the print. I smiled, K opened the bottle of water, and we continued on.

“I can’t believe my art just bought you that bottle of water,” I told K.

“I know. It’s awesome.”

And he drank half the damn bottle right there.

--

We stepped up onto the high patio of a print shop, where K looked through screenprinted t-shirts. I eyed the decorated flasks in the corner. Outside, on the patio, a DJ changed songs, the beat vibrating through the brick shop.

“These are cool,” he said.

“They’re screenprinted.”

We walked back out into the heat of April in the desert. As we hopped down, K said, “You should do that, Sam.”

“Right. With my little Yudu.”

“It would be really cool.”

I laughed into the night air.

We walked back towards the corner where a company was handing out free cans of something called Sun Drop. I took the offered drink, and so did K. As we neared the corner and the amber light of a streetlight, he held his out.

“I got diet.”

“Good,” I smiled.

We switched drinks and popped open the tabs. It wasn’t half-bad.

--

We entered a white building with chipping paint, deep red showing through the cracks. A fence inside guided us around to a gallery area, where paintings and pieces from all sorts of mediums stood freely or hung on the walls. Right next to the entrance sat a grey box with

THIS WAY TOWARD ENEMY

stenciled on it. It was painted on all visible surfaces.

K laughed at the mirror and camera installation that showed your image over the word SUSPECT.

We went up a staircase to nowhere, descended, and headed back out.

--


Across the way, an open field boasted tented stalls of all sorts of things. K pulled out the camera while I explored one covered in pink. Another had hand-made jewelry that took my breath away and made me regret not pulling any cash out of an ATM before driving down. A display of brass stencils caught my eye, and as I went through them, I remarked,

“Wow. I had about 500 of these in Illinois.”

The owner sighed. “You should have put them on eBay!”

“They might still be in the garage,” I replied.

I grabbed a card after running my fingers over darling earrings, the pang of not being able to bring them home with me a pain that would remind me for next month.

--

We crossed the street to where a band was playing in front of a record shop.



As I walked through the latticed walls covered in paintings, I couldn’t help but feel small. Not in stature, but talent. And here’s where the first amazing thing of the night happened.

Instead of feeling hopeless and depressed, I felt empowered.

Why? Because seeing the work there, being in front of the paintings and saying hello to the tattooed artists who probably have jobs during the day and do this on the side, or struggle by on sales alone, showed me what is possible. I remember reading an interview with Pam Carriker, and the intro said, “She has 20 years experience in art.”

20 years? How can I possible think my art now can be compared to anything like that after only 6? Yes, some people succeed overnight. Others need practice and passion. I was wailing to Lia one night a year ago and she told me, “You know, it took Sabrina [Ward Harrison] 10 years to make any money off her books.”



And walking around, seeing those pieces, I realized I’m only in my artistic infancy. I’m just starting, drawing stick figures with my fingers in kindergarten. I have so much yet to discover and uncover in myself. There’s so many things I need to go through in order to get the rich stuff out. And I’m doing the best anyone wanting to be an artist can -- I am making art every day. A sketch here, watercolors there. Maybe some writing in my Harajuku Lovers composition book Lia sent me to fill with new Arizona dreams. Other days, I’m experimenting with the laugh and disregard of rules of a mad scientist.

Maybe it won’t happen today or tomorrow, but it will as long as I keep showing up. I love the paintings I do now. I love the paintings I did last year. And I can see, when looking between them, how much I’ve grown and learned. There’s a adage in the TV business that goes like this -- in order to get a writing gig in TV, you have to submit a spec script (a script of an episode of an established show in the genre you want to write for). And everyone tells you you don’t submit your first or second or even your fifth. You submit that sixth one, because every one before that was just for practice.

I’m pretty sure it’s the same for art.

--

Our finale for the night was the Firehouse, where artists from all over sell their artwork, jewelery, clothes, and other odds and ends. I walked around and felt like I had to do something. Like this was one of those moments I could either grab for or paint on my walls.

“How does one get to sell stuff here?” I asked.

I got a card. And an enthusiastic, “We’re always looking for new artists!” before we left.



And we were just about to turn and walk to the trolley stop when I noticed there was something pointing to the back lot. Hugging the side of the building was a path lined with roses and bushes growing over a lattice fence. We came out into an area with a stage and chairs and couches set out for the audience. Not knowing what we walked into, K and I took a seat.

Now, you know that feeling I had earlier? That push to go outside my comfort zone and do something? Collect stories instead of pictures on the walls?

I just knew it was going to get me into trouble, because not five minutes later, I was randomly chosen to go up on stage. This wasn’t a volunteer thing -- this was a, “We’re going to pick you and you’re going to do this, damnit!” kind of deal. And I didn’t know what we were going to be doing until I climbed up onto the stage -- and I can still feel the embarrassment tingling across my skin as I write this -- and found out...

Oh, you thought I was going to tell you, didn’t you.

I will reveal this: the second amazing thing that happened that night. A piece of advice for all you afraid to do things you feel in your heart in fear of being embarrassed or laughed at. For those moments when you feel like a moron and want to shrink and hide.

I’m pretty sure -- no, positive -- it is nothing bigger than participating in an orgasmic moaning competition on stage in front of 50 strangers and your little brother recording the whole damn thing on the digital camera he lifted from you an hour ago.

So next time you’re frightened to do something in order to save face or avoid embarrassment, think to yourself, “Is this more scary that what Kira had to do?”

Yeah. Didn’t think so.

And it wasn’t as bad as I thought it was going to be. I didn’t come in first, but wasn’t last, either, which is a plus. And the rest of the night, I was laughing and smiling because nothing could touch me after that.

--

My brother opted to keep my door prize. And the camera. He said, “I’m so showing this to mom when we get back.”

“Uhh...just as long as it doesn’t end up on YouTube.”

He gave me a wicked smile as we reached the corner where the trolley would be picking us up.

It was across from a Light Rail station.

“Next time, we’re taking that down here,” I said with a tight smile, still wondering how I could get the camera back. “Cause we could have stayed so much later.”

--

K gave me the camera after I revealed, as we sat on the trolley back to the art museum, that I had the dongle that plugged into the computer at the bottom of my purse.

He asked for it back two hours later.

--

The next day, I walked into the bookstore and gave my number to the guy there I’d been crushing on for a few weeks. After the night before, what was a little flirting?

(And if you’re reading this, why haven’t you called? And if you did, why no voice mail?)

Perhaps that’s the final lesson. That you can have all the practice in the world, get rid of the embarrassment from your life, but in the end, you’ve gotta own it. All of it.

So stop painting pictures on your walls and get out into the world.

It’s waiting.

 

{a whole bunch of little things...}

Phew! Working on the netbook is the most frustrating thing of my day thus far. It takes FOREVER for things to load...it took 15 minutes to start up properly! But until my tech support arrives, I'm without my lovely, pretty desktop. *pets silent machine* I did take over one of my monitors so I can at least post; the tiny screen may be great for writing and surfing the net on the go, but the entry box for Squarespace on it is MAYBE three lines long...*sigh*

So, some quick updates and eye-candy are in order! 

First! I made a little vid with the netbook. I don't have my editing software on here, but wanted to play with a camera angle so....here you go! 

(I actually posted it on Saturday...after waiting an hour and a half for it to save!)

Second! 

I've put two original paintings up on Etsy. I've been prompted, seperatly, by two friends to do this, so I'm closing my eyes and putting it out there and am forgetting about it. I'm trying to value myself and my artwork more and this is one way of doing that. 

(roadblocks & strengths on Etsy)

(when our hearts are full on Etsy)

Third! I've been using my Tumblr as a photoblog, since it's super easy to snap and post from my cell phone (whereas Squarespace doesn't have an Android app yet!). I try to post once a day, something I'm working on or the view of my desk...stuff like that! 

Here's the address again: Journal Girl Loves...

I'm kinda taking this time without the constant hum of my desktop running in the background to stay off the internet and really create. I grabbed a good book from the used bookstore, have my sliding door open, and just got a box of goodies -- a nice, big order from the Shoppe at Stampington. So this girl will be off creating and playing and relaxing. I call this Creative Rejuvination and often come back from such breaks with tons of new ideas and stuff to share with you! 

I'll be back tomorrow with snapshots! For today, enjoy some yummy trims. Mmmm! 

PS. If you need something from me, please send an email! I don't have my pretty organized mail program right now, so I will admit I'm behind on things! Don't feel like you're being a pest -- I appreciate the help so I can help you!