{a full plate just before the next step}

 

 

I’m writing this from my comfy chair. It’s a spot I’ve always found soothing, the first place I go when not feeling well or particularly inspired, when I’ve got a bowl of ice cream or want to cuddle with a puppy. I can curl just right to write in my journal or shift to the side to make just enough room for a box of paint. I love sitting here and working, out in the open where I can intersect with the others I live with and the dogs that snuggle to our warmth.

My plate, as of late, has been incredibly full, and this chair has stood empty as I ran around, trying to get so many things done in a day. My days have been so ordered, I had to break the rules in order to work on my painting yesterday.

And it felt wonderful.

But I ran back to my responsibilities afterwards, and filmed my usual Tuesday video. I’m going to be honest with you - I got bored while editing it. It was forced and dry and lacking art because I had too much on my mind, other things I had to get done. It had become an item on a checklist.

My plate is too full. I will tell you why: I am working on something amazing and new! A workshop I hope will bring so many to the joys of film and editing and help open up the internet to all the amazing art we are all creating. A new venture in my life to help others create online workshops that wow while presenting clear, dynamic content. A web portfolio of my work. And a new birth for this blog.

So I’ll see you all back here on Monday, January 31st for a major reveal of the next stage in my creative and professional life. I hope you’ll join me!

(I will, of course, be posting the last 2 weeks of Points of Two.)

 

 

{a little peek & taking inspiration and creating something new}

projectpage2

I am just finishing up a project and wanted to be able to share at least a peek of it before sending it off!

I’ve been inspired by a whole host of artists lately, and incorporated their techniques or basic ideas into this journal page. I wanted to show you how you can learn from someone else but make it all uniquely your own.

Ruth Rae creates the most amazing fiber artwork, an I just adore her work. There are a few pieces of hers in Inner Excavation by Liz Lamoreux, and I just had to try some stuff out! Above are pieces of muslin left over from my messenger bag alteration that I stamped on with Staz On ink. I would have never thought of this unless I’d seen her artwork with stamped images on it!

projectpage1

I’ve been totally inspired by Traci’s Art Journaling Daily posts, expecially this one, where we get to see her write! It got me pulling out my own dip-pen and ink, and I just spilled onto the page all that was on my mind.

projectpage3

Roben-Marie’s gotten me into the Liquitex Ink! And several books talk about painting with the dauber in the ink bottle. So I colored things in and was amazed at how cool the white bled into the purple.

The flower is a die-cut shape from sticky-back canvas. I seriously love that stuff and use it all the time to embellish my artwork!

projectpage4

DJ’s amazing journals gave me the idea to use the fabric to hinge the pages (her word, and isn’t it just the perfect one?). So here’s what a spread looks like!

At the top is the positive of a stencil I was using. Dina showed me her way of using both the positive and negative of stencils when I played in her studio! You get double milage out of one application, and can get a new page started while working on another.

Inspiration can come from anywhere! What makes amazing art is taking that you’ve learned and putting it through YOU as if you’re a processor. Inspiration comes in and BONDS with who YOU are and is instantly transformed. By putting it all together, you begin to experiment and create something that not only pays homage to the artists and images that first fired you up, but synthesize a UNIQUE creation.

Don’t be afraid to use a technique you’ve learned or seen. Just make sure, when you use it, it becomes YOUR VERSION. That is why journals are amazing - they are safe places where you EXPERIMENT and PLAY and ultimately discover yourself!

From comments I’ve gotten in the past, I can safely say that my artwork doesn’t directly copy or rip off other artists. I used to worry about that in the past SO MUCH! But now I know I can take it in, play around, and create something wonderful.

I could really use the kindness and help of strangers today, as I finish up preparations for a major reveal and online workshop. If you like this content or any of my videos, please donate a little bit via the sidebar!

 

{points of two week #50: m is for map!}

Points of Two is an experiment in journaling with myself and Roben Marie! Check out our archives to see the previous weeks' pages.

This week's theme was "M is for Map." I decided to draw a little map on some fiber paste, and show that you can redefine the map of your life by using your wings. I was in a self-pep-talk kind of mood when I did my page.

Can you believe we only have 2 weeks left?!

(be sure to check out Roben-Marie's blog for her story!)

{creating a place of mystery, touch, and freedom - new journal for a new year!}

{touch} journal detail

A new journal for a new year!

I was showing this journal to a crafty neighbor last night, and found myself smiling at the imperfections. I said:

“If you had told me two years ago I’d be making journals that aren’t hardcovers or with pages that didn’t sit perfectly straight, I would have laughed. Now, I love journals that have character and color and are a bit messy.”

{touch} journal detail

The cover is sticky-back canvas stuck to pieces of a Honey Nut Cherrios box I grabbed from the kitchen (and left the cereal in it’s plastic bag; I wasn’t going to wait for a box to be emptied normally!). I have to say, I LOVE sticky-back canvas! I’ve painted and played on it and it takes everything so wonderfully! I cut shapes from it with my Cuttlebug to add as accents (see the first image; the flower in the corner was die-cut!) and just keep finding new ways to play with this versatile and fun canvas.

{touch} journal detail

It’s bound with the revealed spine tape binding I first saw on Debra’s blog and learned from the book Creative Wildfire. Instead of using thicker fabric or the type of strapping used for bag straps, I used the left-over from the sticky-back, as my journal’s a bit smaller than 8.5”x11”. And where it crosses the fabric? I simply stuck some more canvas there so it isn’t sticky!

The signatures are made from two pieces of paper sewn together with fabric. This was so much fun, and gives a great jumping-off point on each page because there’s already some fabric sewn in! It also made the spine much thicker than the rest of the journal, giving room for more layers and three-dimensional objects and embellishments.

{touch} journal detail

However, the sticky wasn’t strong enough to keep the flaps attached to the covers, so I ran them through my sewing machine to give them a good, strong attachment to the covers with a messy zig-zag stitch.

I leave my free-style darning foot on my machine most of the time, since I’m now in love with imperfection and mess, and only need straight lines for smaller pieces and quilting.

{touch} journal detail

The front and back covers are both equally funky and fun. This type of binding, since I used fabric at the folds, isn’t perfect. It moves around. Pages aren’t square at times. But I really do love it!

With the thinner covers, it’s pliable. I used to thick you needed hard covers in order to have a good working surface, but have since learned that the grouping of pages plus flexible covers give you just as much stability as a hard cover made with book board. Plus, I just love how it feels in my hands — like a traveler’s journal or leather sketchbook ready to be filled and held.

{touch} journal detail

I did a bit of free-style stitching, but noticed it made the cover weaker. It still looks cool, though!

Since pages curl when you work on them, I sewed on some bright magenta elastic as a closure, sewing it to the back cover with a zig-zag stitch (I did three passes to make sure it stays!).

{touch} journal detail

And instead of trimming everything up, I left the fabrics at their original, by-eye lengths. They hang off the top and bottom in a colorful mess of pattern...

{touch} journal

This journal is so tactile. You feel the canvas on the cover, the pages inside, the fabric hanging out. It loves to be held and carried and worked in. And since I altered my messenger bag, it now has an artful place to call home.

the first page of the new year...

She sits just inside the front cover, dreaming, thinking, being.

A new journal for new dreams and thoughts and words and experiments as I continue on this new, odd, wonderful artistic painting journey I stumbled onto four months ago.

{into the unknown without a map}

bag2

Ever get an idea that grabs hold and doesn’t let go? This was one of those!

I’ve been carrying my nice big binder with me to coffee shops to work on workshops and goal-making and notes that pour from my head, and after some papers spilled from it the other day (scattering across the parking lot!), realized I might need a different bag as my purse was too small to fit much else.

(That, and my new journal doesn’t fit in my purse, either!)

I remembered this olive messenger bag I had and hoped it had made it in the move. I hopped on a chair and pulled down my box of bags - the eight that remain from a collection of at least seventy - cheering when I pulled it free.

bag4
My plan hinged on dying pieces of muslin with various inks and sprays, my studio resembling a mad scientist's workspace. A bowl of water and Liquitex Ink!, paper towels blotting Adirondack ink, the faint shimmer of glimmer mist. I laid down some stencils and sprayed directly onto the muslin with a light blue glimmer mist as I’d done before in class, then added in some darker blue Adirondack ink.

Spritz and spray and inky fingers. Laughter and true experimentation. Spreading out into a new world.

While those dried, I pulled out some little alphabet stamps and a pad of Staz On black ink and started writing, one letter at a time. Is it normal for ink to smell that bad? Or is it because the inkpad, brand new and pristine, lived for three years in my mother’s craft tote?

bag3

This was just after writing yesterday’s long post - and thank you for all your wonderful comments, emails, and chats; I am working through them! - so all that was on my mind, influencing the words I stamped.

While running errands, my eye was caught by a dark swirl of multi-colored thread that spun together primary colors and a bit of black. I re-thread my sewing machine and sewed together the two sides of my shapes - a heart and wings. I know it is often overdone and is everywhere, but I don’t care - I still love drawing it, playing around, changing the wing shapes. Perhaps that’s why it’s done all the time!

Apply to bag, add buttons, and...magic!

Now my journal and binder can stay safe inside my bag while I wander around town, writing and thinking and wishing and dreaming...
 

bag1

 

{giveaway winner & a heartfelt post}

 

Congrats!

I'd also like to extend, to all you who entered, a special price. If you'd still like a print, simply let me know the name you used when commenting, and you can get up to 3 prints for $5 each!! Just because you didn't win doesn't mean you lost! *G*

And I've written a long, gushy, slightly-scared-to-post post to help me clear my mind, but be warened, it's full of vulnerablility, conflicting thoughts, dreams, hopes, wishes, realities, & random song quotes.

While waiting for fabric and clothes to dry, I thought I’d sit down and write.

My hands are vaguely purple, dyed by the mixture of ink and water in a glass bowl, paint swirling as drops hit the surface, plunge in, spread. I take a moment to think - what can I use to mix this? - then thrust my hands into the water and swirl them around.

My fingers are tipped with blue and yellow and orange, from spray bottles and inks, from failed experiments and new discoveries. I’m glad my desk is black, because then you can’t see all the ink mist covering the surface. It comes up when I blot muslin fabric, a mix of colors long forgotten.

Words float on the air:

I do my best,
But I'm made of mistakes.
Yes there are things I'm still quite sure of.


This weekend gave birth to a seed of doubt. I don’t know how the topic was broached, ah, yes - I remember now. Innocently enough, but mine fields always look lovely, with long grasses and flowers and a promise of peace on the other side of razor wire. I can’t fault my mother for her words, her worry, her love. And yet I sit wondering, hovering on the edge, afraid to take a step in any direction.

She worries, she says, that if something were to happen, I wouldn’t be able to support myself. She worries about the non-existent bank account, the times she’s had to help pay for my medications, the lack of credit because of past mistakes. I can’t quite figure out if she’s proud of what I’ve accomplished in the last few years or if it has been an act, a way to encourage like a parent allows a child to climb the stairs so they can learn, on their own, that they can fall.

A few days ago, I was solid. A pillar of resolve and strength and positivity. Of hope for a good year, a year when things I’ve been building a support for so long would suddenly spring to life, rise into the sunlight. And yet...and yet her words have me wondering -

Am I being realistic?

I am no stranger to doubts. I go through bits of jealousy when I see how other people get more hits to their blogs, or sell more seats in a class, or get random notes of praise across social networks. I see people spring up and grow taller than me in a shorter period of time and wonder if I’m doing something wrong. Or perhaps this isn’t for me. Or I’ve not done enough. Or I don’t post enough.

Those little doubts.

And time keeps burning
The wheels keep on turning sometimes
I feel I’m wasting my day


At first I was insulted a bit. Surprised. And then I began to see her point. You see, my parents, both of them, were only able to attend a few classes in college, complete a year or two before things changed and they had to leave. And me, I have a B.A. My mother keeps saying I’m not doing anything with my degree, and I know she wishes she had one, had one to use to get a great job or show to others. An achievement.

I don’t want to stress out about money anymore. Have to compute things in my head to see if I can afford this or that, or go to my father to help me cover expenses.

But how do I do both? How do I get that security and continue to go on, full steam ahead, with all the dreams and ideas and classes and articles that are still inside me? How does this happen?

The only point of contention in this all is my fibromyalgia. She says that, if I found a job I really loved, I could push through it, power past the pain and fatigue. And she’s right - I have done that before, gotten through the hours, kept a smile on my face. Done it.

And yes, I also would dangerously fall asleep on the expressway during rush hour because my body was shutting down, jolting awake at the last moment to avoid a crash. I’d spend my days off in bed, struggling to keep a sane mind as pain confined me to my body.

I know, in my heart, with all my being, that if I did go out and get a job (and full-time, because this is her worry, this lack of stability, of not being able to stand on my own two feet), I would have to give up my art. It’s as simple as that. I’d have time, yes, but no energy to sit at my table and paint, or bind journals, or do experiments. Sure, maybe, over time, with work and health insurance, I’d get better. And be able to do it all. But even entertaining the idea of giving it up, even for a few months or a year, feels like a death in my soul.

So what is a girl to do?


Hold on, hold on
Let me get the words out before I burst



I am hopeful. I have spent two months developing and working on a video production class for crafters and artists. And I wonder if people would be willing to pay a higher price based on my experience both in California and the degree I hold in this very medium of artistic expression. I have dreams that it all works, and would make the money required for stability, would quash the need for a job at all.

And then I think of the other workshops I’ve been developing, and the classes I’m to teach in-person, and the new assignments and ideas and possibilities. If this could all work out positively, I could really do this. I could keep my mother from worrying, lying awake at night wondering about her only daughter.

I really don’t know what to do. How to approach this all. I feel guilty when I spend my time in my little closet studio because it isn’t seen as work, but me being selfish.

I’m going to go for it. I am going to make my video workshop the best damn video workshop you’ve ever seen. It will be easy to follow, inexpensive to implement, and hold your hand through it all so you, too, can create amazing videos.

But I am also worried that if only 5 people sign up, I will be crushed. Perhaps that will be a sign from the universe? I do my best work, try my hardest to get the word out there, and let the Divine show me what path I should be on? Is that how I should do it?

I really meant to post about my new journal, and my mad scientist experiment that’s currently drying in my closet land of art, but I just couldn’t get this all out of my head. I am revealing a huge vulnerability here, and I’m afraid this will make people believe me unprofessional or childish, but as it pentanes, in part, to my readers, to people out there in the world - from fellow teachers to avid class-takers - I’m going to post it anyway for advice and thoughts. Maybe there’s someone out there, out in the world, who can help me figure this out.

If you’ve made it this far, thank you!


Oh my baby don't be so distressed
Were done with politesse
It's time to be so brutally honest about
The way we know we long for something fine
When we pine for higher ceilings
And bourgeois happy feelings

And here we are in the center of the first world
It's laid out for us, who are we to break down?

(songs: I'm an Animal - Neko Case; Dying Day - Brandi Carlile; Lifeboats - Snow Patrol; You, Me, & the Bourgeoisie - The Submarines)

 

{points of two week #49: on the dotted line}

Points of Two is an experiment in journaling with myself and Roben Marie! Check out our archives to see the previous weeks' pages.

Our theme for this week was On the Dotted Line

My page doesn't have any words. While I was working on it, I was amazed at what came out, at how much my subconscious mind was able to capture how I was feeling so perfectly. That's one of the great things about art journaling - the ability to so succinctly capture what cannot be said with words. 

So there I am, balanced on the dotted line, between serenity and feeling particularly ucky. The page says it all. 

on the dotted line

Be sure to check out Roben-Marie's blog for her story!

{a brave, foolish, amazing thing & a giveaway!}


As soon as Monday rolled around, and my self-declared vacation was over, I launched right into 2011 like a rocket heading for the stars. Just after Christmas, I was wandering Target and found a cute planner designed by Egg Press for Blue Sky, and just knew I had to have it. I’ve always loved the layout of Blue Sky planners (monthly tabs with the weeks right after each month!) and the colors used for the planner, as well as the paintbrush-drawn look of the cover and interior accents, just called to me.

There is also a healthy amount of teal, which is my favorite color!

When I sat down at my desk on Monday morning, I went through all the projects I have on my plate and pared everything down to urgency. What needs to be done now, and what can wait until next week? Which items are time-sensitive? Or which will help preserve my sanity by getting me off the computer?

I then broke the major projects down into smaller, bite-sized pieces and jumbled them up. For example, this was my Monday:

  • Type up and send out article outline to CPS (yes! I did this! And I’m staying positive about what this even though I have a healthy dose of fear!)
  • Work on printer issue
  • Set eyelets in binder journal pages
  • Free bookboard (it’s all recycled - I freed it from countless salvaged 3-ring binder covers)
  • Write video workshop chapter 3

I like to vary what I’ll be doing in a day in order to keep my attention bouncing around - and thus, my mind making connections through unconnected work - and keeps things manageable. While I have, in the past, binged on finishing one project in one day, I find this varied approach not only keeps me up and moving around, but allows for a larger degree of flexibility. Last night, after working for about four hours, I found myself really, really tired, so I laid down for a nap. I call these my Spoonie Breaks, and can definitely tell when I skip one because all my aches get worse! But when I woke up, I didn’t feel any better - in fact, my stomach was upset! So I decided to relax and take it easy. Of course, this meant I missed out on much of yesterday’s to-do list, but knew it would be okay since I could simply move things around and throw a few on Friday.

I purposely leave Fridays open, not because I’m taking the day off, but because, even if I’m trying my best and am feeling good, I often take off for a movie or walk or bike ride to clear my head, and that means little bits get dropped. So Fridays are my pick-up days, when I grab all those loose ends and tie them together.

Anyway, I slept in. Like, really slept in. Which moves everything around on me and has me scrambling to get things done today so tomorrow isn’t so jam packed with things to do!

The nice thing is, every night, when I go to sleep, I do so with a smile on my face. I’ve accomplished something that day, gotten a bit done. There’s nothing more satisfying than crossing off everything on your to-do list - that simple motion, the line through letters, it can be such a high! I fade off to dream land exhausted but happy, knowing I’ve made a few more baby steps towards my dreams and goals for this year.

I’m working behind the scenes to put up some items I’ve wanted to make and share for a long time. And while I’m scared things won’t sell or that I’m not good enough an artist to sell prints of my work, I’m going to do it anyway because I’m finding the things that seem to flow, that put themselves together with little effort, are the things I am supposed to be doing.

 

I wrote all that above earlier today, before I got started printing samples and taking photos. While I was standing over my art table cutting prints down, I began to shake. That voice in my head began to speak:

"Think of all the ink you're using! It's expensive! Is it worth it?" 

Yes. I said back. I think it is. 

"You should just stop. Who are you to sell prints of your artwork?" 

But I knew this fear, this shaking, meant I was on the edge of something wonderful. So I worked through it. Kept staging photographs and fixing things up and listing items. Even after my back started aching and I'd been at it for hours, I pressed on through the fear. 

All the artwork I've put up in my Etsy shop is special to me. They are pieces that showcase my metamorphosis, my rebirth in the desert and the refilling of my soul. I am a different woman today than I was before, earlier this year, and I know I'm only beginning to scratch the surface of what I'm capable of. 

To celebrate this newness, this braveness I feel, I am hosting a give-away. What do you win? Three prints of your choosing from yours truly, to help share the journey. 

To enter, simply comment here and answer the following:

What brave, foolish, amazing thing did you do today?

It can be small. Huge. A baby step or a sentence scrawled in your journal. Whatever you feel was the most difficult, liberating thing you've done. 

This is open until Saturday at 12pm MST. Good luck!

(And don't forget to check out the details over at Etsy!)