{Have you heard? 21 Secrets goes on sale today!}

 

 

That's right! You can finally sign up for this amazing workshop series put together by the lovely Connie over at Dirty Footprints Studio. There are 21 of us teaching little workshops, meant to inspire and educate you on all the nifty stuff you could be doing with your art and journaling.

Isn't that a dreamy pile of journaled canvas up there? It grows thicker every day. Canvas is SUCH a versatile medium to work on, and really cheap! There is just so much more you can do on it than paper -- the possibilities really are endless!

My workshop includes step-by-step instruction and little tricks via PDF, as well as 3 15-minute length videos to help guide you through the entire process.

I really wanted to present all the possibilities I've discovered while playing on canvas -- so there's TONS of techniques and ideas to get you started.

And all for $59?! It's a HUGE deal, and will be inspiring you for MONTHS to come!

So why don't you sign up and join us?

Click here to view more details

{points of two week #36: pockets!}

 

Points of Two is an experiment in journaling with myself and Roben Marie! Check out our archives to see the previous weeks' pages.

Yep, pockets and pouches! I have these great half-moon enclosures and I love using them whenever I can. So I made one pretty and made a page pretty...

...and then realized I wasn't really into it.

Not making art. Just that I felt like I was going through the motions, doing what I have been doing, creating not a journal page, but working to make a piece of Art. So I had to step away and really think about what I was feeling and how I could get it out on the page.

The little tree stamp kinda helped me through it! So I wrote and glued things down and started doing things I haven't for awhile since I've been working on the loose canvas pieces. It isn't the best page I've made, or the most artistic, but I feel like something that's been stuck inside of me has begun to loosen, and isn't that what this is all about in the long run?

Here's Roben-Marie's page!

{points of two week #35: repetition!}

 

Points of Two is an experiment in journaling with myself and Roben Marie! Check out our archives to see the previous weeks' pages.

This week's theme was repetition.

What better way to achieve this than by using stencils? I grabbed a few and used them over and over again on this page. I also stamped a few times with a flower stamp, but as journaling and art is unpredictable, they ended up being completely covered by later layers (though I think you can see one of them over near the word Joy).

And yes, it's on a canvas "page." I'll admit it: I'm addicted. There's such a deeper connection with these canvas pieces, a truth I've never gotten far enough to reach before, and I'm both thrilled and scared. Which is healthy, I think!

Be sure to check out Roben-Marie's blog for her story!

{joy is...}

 

Joy is...

Showing your accomplishments to the world and feeling love come back to you...

Having your father say, "I'm so proud of you. You make me happy. And your mother. And so many people."

Realizing you don't have to fake it till you make it because today, you've made it..

Letting people surprise you...

Today doesn't promise to be a happy day, but we can decide to focus on the positive instead of the negative. We can celebrate the joy of a life and give hugs and love and continue on, living our own lives to the fullest.

 

♥ you.

 

{a letter to whispering trees}

 

A few days ago on Twitter, Kerri and I were chatting about talking trees. How they sway in the wind, fluttering leaves rustling together to create nature's wind chime. My mother, in fact, used to set me under trees as a baby, the leaves a perfect mobile. Our conversation got me thinking about how, in a few weeks, I'll be leaving Chicago to move across the country to Phoenix, and how the trees I love so dearly will be left behind. Kerri's suggestion was to take pictures of my favorite trees to take with on the move.

I thought about that, about all the things I'm leaving behind, not only physically, but mentally and spiritually as well right now in my life. My art is going through a change, a passage that seems so important yet scary at the same time, I often don't know what to do but keep moving forward. When reading last night, this passage from one of my favorite books, 'Dance of the Dissident Daughter' really resonated with me. Sue Monk Kidd writes:

The only way I have ever understood, broken free, emerged, healed, forgiven, flourished, and grown powerful is by asking the hardest questions and then living the answers through opening up to my own terror and transmuting it into creativity. I have gotten nowhere by retreating into hand-me-down sureties or resisting the tensions that truth ignited.

I thought, Isn't this what I'm going through? Passing through my own truths -- about life, family, art, love, attachment -- and coming out the other side with more heartfelt, expressive art? The pieces I've been doing lately, on loose pieces of canvas, have become some of the most earnest pieces I've ever done; in fact, the one I constructed last night brought tears to my eyes as I finished stitching on it.

Wanting to be near the trees and grass and earth beneath my feet, I grabbed my journal, camera, and book and ventured outside. I wrote those passages that really mean something to me in my journal, bringing in this bit of twig -- it was there, right where I decided to sit, as though it was always supposed to be with me.

But after taking photos for awhile, I realized no picture could do these trees true justice. So I switched settings over and began to film, the lyrics, "Don't let this fading summer pass you by," hitting me so hard as I wrote my little letter, I cry every time I watch this. This is art-as-film, not a tutorial or vlog, but me expressing myself as best I possibly can as the sun sets behind me and another day begins to end.

{hodgepodge #2 is here!}

 

Actually, it was here Saturday, but I have been so busy, I haven’t gotten a chance to write anything until now. Well, I could have written something then, but it probably would have consisted of grunts and the occasional headdesk as I waded through 27 pages of a spreadsheet trying to get emails out. Which they’re mostly out, except if your partner forgot to put in their last name, and then you’ll get your email when they email me back and voila! Swap officially out into the hands of the people.

When I sat down to compile the material for Hodgepodge #2, I didn’t have a clear plan other than a collection of journal pages from two journals and a few ideas as to where I could go. But after awhile, a theme and purpose grew between those pages like weeds through cracked concrete — that rigid purpose we seem to give things cracking under the pressure of true creative inspiration.

What came out was an exploration of my adolescent phase, that rough, transitory period between first learning of art and excitedly copying the “masters” and the later phase where your own creative inspiration pours freely onto the page.

From the introduction:

Everyone knows the difficulties we encounter during our teen years, no matter where you’re from or your current age. You’ve gone through life as a child, always depending on your parents for love, protection, and guidance. Think of them as those artists you admired when you started, the ones you copied in order to get your footing, take your first steps. They’re there to teach you the ropes of life, give you advice, teach you how to make a PB&J sandwich and ride a bike and swim at the neighborhood pool.

These pages are raw. Like you’d expect of a teenager’s diary, there’s angst. Happy days. Doodles. To-do lists. Life was mirroring this transitional period in my life. There are essays to help guide you, exercises to boost your creativity, and a hand to hold when you need to laugh or have a good cry.

This isn’t a phase you go through once — you will continuously circle around as you continue to explore, and it is no less painful the second or third or forth time you go through this. It’s a shedding of the old and the birth of the new; a messy, painful, exciting process that plunges you into the dark Unknown of your own soul, and it’s up to YOU to get back out of the labyrinth, emerging as a reborn artist.

Writing for and working on this issue really brought that idea home for me. Lately, I’ve been going through a transitory phase myself and the darkness has really frightened me. Yes, I have faith that I’ll come out the other side (mostly) intact, but the shedding is the hardest, when you circle through again, because I thought I’d found my identity as an artist. Instead of going from replicating the work you admire, this second pass has me shedding my own work I’ve grown to love. I was comfortable and — this is a dangerous place to be in — complacent.

I never really thought of that word much until my brother said, “You can be comfortable with recovery, but when you get complacent, that’s when trouble happens.”

Look at the definition:

complacency - A feeling of contented self-satisfaction, especially when unaware of upcoming trouble; An instance of self-satisfaction

Looking at it, you wouldn’t THINK there’s anything wrong with that, but if you give it a minute, you’ll realize that there’s no progress, no discovery, no exploration or play or fun. You’re just going along in the same old way because it’s comfortable.

But I digress. This is material for Hodgepodge #4! But it’s something I’m living right now, and working on this issue has helped clarify and take away a bit of the Unknown I’ve been walking through.

I created the cover for this one by hand, doing the kind of art I’ve been drawn to, a twist on my usual style, new techniques and materials employed in different ways. I love that I’m constantly experimenting, going to myself to play and discover rather than looking up the answers online.


I've experimented and found what colors work in the background and which don’t...

I posted this shot on Facebook over the weekend. I love seeing what materials are around when my favorite artists create, so I thought I’d take a similar shot! There’s, of course, stuff hidden from view, but most of what I was using was captured.

And huzzah! The darning foot for my machine! This has made all the difference when it comes to freehand stitching, and my fingers are now safe from being poked full of holes. ;) This is quickly becoming one of my favorite techniques. 

I sat down with the intention of creating a cover, and ended up making a piece of art. I just want to sit down and make one of these every day; there’s so much coming out when I work like this, and I can’t figure out why it’s easier for me to express myself on canvas “pages” instead of in my journal. But that’s okay — we create where we’re drawn to and let the Divine take care of the rest.

If you’d like to get your hands on a copy of Hodgepodge #2, head on over to the Shoppe for an instant download. You can also grab #1 as well as the three-parter of Page by Page.

As for me, I’m off on another adventure out in the cooling end-of-the-summer air and talking trees...

{points of two week #34: number play!}

 

Points of Two is an experiment in journaling with myself and Roben Marie! Check out our archives to see the previous weeks' pages.

This week, we decided to play with numbers.

I was reminded a few weeks ago that I do, in fact, own several sets of beautiful brass stencils, each set an inch or so apart, with letters and numbers that duplicate just enough to make signs. So when this prompt came up, I grabbed my box of 2” stencils, grabbed a bunch of random numbers, and started stenciling with my Copic airbrush.

Which is tons of fun. One of my favorite effects (and there are several) is being able to make graffiti with it. “Graffiti?” you ask. “You can do that with spray paint!”

And yes, you can! But the spray size on spray paint is perfect for doing so on buildings or other large surfaces, while our journal pages and canvases are much smaller. Airbrushing lets me get those awesome spray painted words at a smaller scale, meaning it looks awesome in a way I’ve never before been able to achieve.

This translates to the stencils, which I purposely sprayed off the edges of. I love that look — it’s almost like using a mask instead of a stencil.

Most of the numbers are going off the page. I like using letters and numbers as images, bits of added visuals that are captured for their shape, not meaning. By going off the edge, you not only add the illusion that something exists outside the boundaries of the page, but you purposely remove part of the recognized shape — yes, the brain can fill in the blanks, but you’re only guessing at that point. They’re no longer numbers, but bits of interrupted imagery.

Of course, I couldn’t pass up the jumbled set in the corner. Overlaying them in the same color has the same effect as running off the page. And why use numbers only when the # is also read as ‘number?’ I’ve been learning about making patterns through repetition with stamps, so I just went crazy with a discovered set of number stamps.

And do you notice the date is on here twice?

Overall, I love this page. The numbers add a certain degree of chaos, which is exactly how my brain feels today.

Materials: acrylics, scrapbook paper, copics, airbrush, pencil, pen, & stamps 

And Roben-Marie's page! Be sure to check out her blog for her story!

 

{studio vlog tuesday: airbrush & sewing fun!}

Tonight, I showed you some info on the Copic Airbrush System and my own (slightly dangerous!) way of freestyle sewing. Don't worry -- I'm headed out tomorrow to get the darning foot for my sewing machine, so my fingers should be safe!

[studio vlog tuesday, 8/31/10: airbrush & sewing fun!]

Also, goodbye August! I always feel like this is the end of summer, and cold weather is on its way. But I have to remember that A. I don't go outside much in August because it's too hot, and B. I will never see another Chicago winter (as a resident, that is!). So it's bittersweet yet exciting at the same time.

Then again, I think I'm the only person in the world who doesn't love fall!